“Classic Blondie” return with new album ‘High Noon’ featuring Johnny Marr, Glen Matlock and more and energetic single ‘Spectral Eyes’

Blondie are back with the new album ‘High Noon’, which features the final recordings from Clem Burke and contributions from Johnny Marr , Glen Matlock and more.

Check out the driving lead single ‘Spectral Eyes’ below.

READ MORE: Blondie on the ’90s, ‘No Exit’, and how the future looks without Clem Burke Set for release on February 26 via BMG, the new record marks the 12th studio album from Debbie Harry and co., and the NYC rock icons’ first collection of new material in nine years.

Visit here to pre-order.

Set to combine their signature punk-rock sound with new inflections of dance music and Latin rhythms, the record features the final recordings of co-founder and drummer Clem Burke, who died last year following a battle with cancer .

Across the 13 songs on ‘High Noon’, Harry and Chris Stein are joined by special guests including Johnny Marr, Glen Matlock, Zach Condon of Beirut , and Jess Wolfe and Holly Laessig of Lucius .

Today (Thursday October 15), the first taster of the record is out via the electrifying new single ‘Spectral Eyes’, which was written by Marr and also features him on guitar.

Rife with energetic vocal melodies, shimmering guitar riffs and a hypnotic chorus, the track captures the signature sound that first put Blondie on the map.

Check it out below.

Sessions for ‘High Noon’ started back in 2022, with the original trio rejoining forces with producer John Congleton [ St.

Vincent , The War On Drugs ] in New York for the first time since they made their 2017 album ‘ Pollinator ’.

“This album is classic Blondie – an amalgamation of all our different influences and eras into something new,” said Harry.

“This music feels grounded in the present, shaped by who we are and how we’re living now.” Stein added: “It’s been a long, strange ride, and somehow here we are with another Blondie album.

I’m not sure what the fuck I’m supposed to say at this point, except that we’re incredibly grateful for all your support over the years.” Much of the work was done in the New York Studio studio before the death of Clem Burke, and the visual world of ‘High Noon’ was made in collaboration with artist and director Rob Roth, who has worked with Blondie since their 1999 album ‘No Exit’.